πŸ’œπŸ’‹ 𝑯𝑢𝑻 𝑡𝑬𝑾 𝑹𝑬𝑳𝑬𝑨𝑺𝑬 πŸ’‹ πŸ’œ

 

𝐀 π•πžπ«π² π…π«π’πžπ§ππ₯𝐲 π•πšπ₯𝐞𝐧𝐭𝐒𝐧𝐞'𝐬 πƒπšπ² 𝐛𝐲 𝐊𝐚𝐲π₯𝐞𝐲 𝐋𝐨𝐫𝐒𝐧𝐠 𝐒𝐬 π₯𝐒𝐯𝐞 𝐒𝐧 𝐊𝐒𝐧𝐝π₯𝐞 𝐔𝐧π₯𝐒𝐦𝐒𝐭𝐞𝐝! π†πžπ­ 𝐫𝐞𝐚𝐝𝐲 𝐭𝐨 𝐟𝐚π₯π₯ 𝐒𝐧 π₯𝐨𝐯𝐞! #𝐎𝐧𝐞-𝐜π₯𝐒𝐜𝐀 𝐭𝐨𝐝𝐚𝐲!

 

 

BLURB

EDDIE: Cancel your dinky little roomette on the train. I’m booking us two of the big bedroom suites.

BIRDIE: I’ll cancel it AFTER you’ve booked the other sleeper rooms. And reimburse you.

EDDIE: Don’t worry about it. Just cancel your tickets. I got this. Round trip. I’m on the Amtrak website right now.

BIRDIE: You don’t have to leave NYC when I do! You’ll hardly be able to spend any time with your Instagram girlfriend that you've never met!

EDDIE: It’s fine. She’ll be fine with it. Cancel your tickets.

BIRDIE: You aren’t going to stop texting me until I’ve canceled them, are you?

EDDIE: Damn right I’m not. Just do it. You can thank me later.

***

EDDIE: Um. Did you cancel your tickets?

BIRDIE: Yes, Edward. I canceled them.

EDDIE: Okay, because it turns out they only had one Family Bedroom from LA to Chicago. But the good news is I booked it for us. It’s the biggest room they had. The bad news is I booked it for us. And it’s the only sleeper room they have left now.

EDDIE: In related news, there was also only one room left from Chicago to New York.

EDDIE: Hands up if you’re excited! *man raising hand emoji*

BIRDIE: I am so mad at you right now.

***

BIRDIE: I’ve compiled a list of ground rules re shared train bedroom. Check your email, please read carefully, and refer to it again on the ninth of February. Thank you.

EDDIE: *nerd face emoji* Received. I have some notes.

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Audiobook releases February 14th, narrated by Connor Crais and Mackenzie Cartwright, featuring Dane Anderson!

 

TEASER

ABOUT THE AUTHOR

Before writing steamy romantic comedy novels, Kayley Loring got a BFA in creative writing from a Canadian university and had a fifteen-year career as a screenwriter in Los Angeles (under a different name). She mostly wrote PG-13 family comedies that studios would pay her lots of money for and then never make into movies. In 2017 she decided to move to the Pacific Northwest and write about all the fun stuff that she wasn't allowed to write about in those PG-13 scripts. Now she’s breathing cleaner air and writing dirtier words. It’s an adjustment she’s happily getting used to.

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